SHIRIN NESHAT

One Image chosen by Nina Strand:

It is a meeting at a crossroads. A man walks towards a woman on the other side of the road. They sneak glances at each other as they pass, and keep on walking. He stops and looks back at her and smiles. But they keep on walking, both headed to the same place, though taking different routes.

Next scene: The man and woman meet again, with a curtain between them; a mullah is preaching about chastity. They look at each other through the blinds. At one point the woman has heard enough and leaves. He follows shortly afterwards, but again they walk away from each other. I want them to meet, we all do, but they never will.

The two-channel video Fervor by Shirin Neshat from 2000 was filmed in Morocco, but purports to be Iran. Shown now in the 30-year jubilee show Before Tomorrow for Astrup Fearnley in Oslo, it is unfortunately still topical today. I see it after having had a swim, and think about the two never meeting while walking home, my wet hair made wetter still by the summer rain. I think about my luck to be living as a woman here, and not there. And then I remember a recent conversation with a friend about the chances he felt he’d missed, and the imaginary family life he’d envisioned. He’s fifty and says it’s over; he doesn’t think it will ever happen for him.

Also on view in Before Tomorrow is Annika Elisabeth von Hausswolff's 1999 photograph Mom and Dad Are Making Out. Two human bodies form a cross, the woman balanced on the man’s back with her legs in the air. The joyful colour contrasts with Neshat’s passionate black and white. These two people, mom and dad, did actually make it together. We can still make it too.

Still, Shirin Neshat, Fervor, 2000

Annika Elisabeth von Hausswolff, Mom and dad are making out, 1999.